Form and Analysis Theory: A Bibliography (Music Reference Collection)

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When in doubt consult the Chicago Manual of Style which has an excellent index , which will explain the options available there may be more than one ; also, ask your instructor for an in-class assignment, or consult sample articles in the journal that you are submitting to. The Music Librarian is also very willing to offer helpful information.

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In the field of Music Education most journals use APA format, in which there are no footnotes except as additional information. Citations are in the Author, Date format, integrated into the text. Here is an example: Helping students to develop as composers is a task that benefits from research that identifies the structures that assist that process. Structure issues are of concern to teachers who nurture young creators. Too much task structure can inhibit creativity and personal expression Wiggins, However, too little task structure can cause students difficulty because of too many choices Folkestad, ; Regelski, , In Author, Date citation style, the references are listed at the end of the paper.

The research process Types of sources Critical reading and analysis Databases and online resources Citation Creating a bibliography. Understanding the assignment Brainstorming Writing thesis statements Outlining Writing an introduction Writing a conclusion Footnotes and citations Drafts, editing, and revision. Essays that analyze music Writing conventions in music Doing oral presentations Terminology in music Style and style manuals. Using the Music Library Types of sources Referencing Quoting, paraphrasing, and summarizing How to paraphrase Citation styles Understanding and avoiding plagiarism.

Working with the assignment Getting started Working with drafts Revising and editing Plagiarism Common errors in student writing. Mainly since the 18th century, a large and diverse body of writings has emerged to help aspirants succeed in such quests. Whereas music proceeds swiftly and relies on aural reception, usually an analysis assumes a slower, more ponderous pace of absorption and depends on visual communication: The enterprise of music analysis has persisted because many musicians have found it to be a productive means of clarifying and deepening their engagement with music.

Given the complexity of the task at hand, it should not be surprising that diverse analytical strategies have emerged for many branches of the musical repertory. To some extent contrasting methodologies offer complementary information that can be integrated by the aspirant.

Bibliography

Yet, within the realm of music analysis, many conflicting viewpoints vie for acceptance. The field is still actively evolving, even for music hundreds of years old. The recent work of Caplin and of Hepokoski and Darcy on form in the classical era is an especially fascinating case in point [see Caplin and Hepokoski and Darcy , cited under Tonal Music: Most readers will want to explore a range of analytical perspectives.

Through familiarity and diligent study, a greater discernment will emerge, guiding the continuation of the undertaking. Indeed, many important contributions that will enhance our understanding have yet to be formulated. Thus the ongoing, lifelong process of music study may have unexpected rewards and surprises.


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Likewise, many of the ideas that shape contemporary music analysis have evolved over a long period. For example, modern Roman-numeral harmonic analysis is rooted in a practice that began early in the 18th century. The history of music analysis, an important field for specialists, will be addressed here principally via commentaries and synopses, mostly in English.

This pertains particularly to the analysis of music from the 18th and 19th centuries. Similar developments for early music, contemporary music, and popular music are of more recent vintage. Because modern scholarship tends to incorporate the best of what is offered in older books, emphasis is here placed on contemporary analytical practices. The range of perspectives, strategies, and modes of presentation that are encompassed by analytical writings can be daunting.

Fortunately, numerous resources are available to help make sense of the myriad trends within the field. Christensen in English and Zaminer and Ertelt — in German place music analysis within the broader perspective of music theory, while Adorno offers guidance to performers and listeners and Golab offers an epistemological essay. Several more specialized studies explore individual facets of the discipline: Edited by Richard Leppert.

Translated by Max Paddison, commentary: Fans today are likely to attend performances as varied as Indian bharata natyam, Japanese butoh, and post-modern dance.

Jazz - Music - Oxford Bibliographies

With an emphasis on performance—the dance we see in our theatres today—readers will find both fact and analysis on a wide range of subjects. With new entries, this new edition charts developments that have occurred over the last ten years, including the rise of new digital technology in the creation and staging of dance and the move to the mainstream of formerly fringe genres such as hip-hop, as well as the arrival of a new generation of dancers and choreographers to the scene.

This dictionary comprises authoritative, highly accessible entries on people and organizations related to music.

These entries are supplementary to other music titles in the Quick Reference collection, and are written by specialist authors. The dictionary is an ongoing project, and more entries will be added over time. First published in to great critical and popular acclaim, the Grove Book of Operas, is a collection of synopses and descriptions of over operas.

Each succinct yet insightful entry is written by a leading authority on the opera and includes a full synopsis of the plot, a cast list, a note on the singers in the original production, and information on the origins of the work and its literary and social background. Contributions conclude with a brief comment on the particular work's place in operatic history. The second edition brings the book up to date with several recently composed operas.

Covering all operas in the current repertory along with some less-well-known early and very modern ones, this is an ideal volume for the general opera lover. The Grove Dictionary of American Music , second edition is the largest, most comprehensive reference publication on American Music. Twenty-five years ago, the four volumes of the first edition of the dictionary initiated a great expansion in American music scholarship. This second edition reflects the growth in scholarship the first edition initiated. At eight volumes, it provides greatly expanded coverage, particularly in the areas of popular music, cities and regions, musical theater, opera, concert music, and music technology, as well as the musical traditions of many ethnic and cultural groups.

The articles of the dictionary range from small definitions of dance styles and musical terms to mid-length biographies of important performers, composers and music patrons, to longer examinations of larger subjects such as the history of jazz, musical instruments, music education in the United States, and the American history of the orchestra. The dictionary's articles are supplemented by over images and musical examples and other materials. An abbreviations list, list of contributors, and tips on the use of the dictionary make navigation easy.

With well-researched, informative articles by authors, including most of the top scholars in the field, The Grove Dictionary of American Music is accessible to scholars, academic specialists, and the general public. The Grove Dictionary of Musical Instruments , second edition, is the largest, most comprehensive reference publication on musical instruments of the world yet produced.

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Thirty years ago the first edition of the dictionary was met with wide acclaim and went on to become an essential research tool. The second edition reflects the growth in the last three decades of the scope and methodologies of the field of organology.

It provides greatly expanded coverage of instruments from around the world and their builders, with special attention to electronic and experimental instruments, the human body as an instrument, the history and techniques of instrument design and manufacture, performance practice, and the scholars whose work has shaped our current understanding of musical instruments.