Airborne (Mile High Erotica, Book #1)

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At the age of 40, a chance encounter forces Jim Gaffney to reevaluate his life choices and how they have impacted his family and own well-being. This is a candid account of the five year journey that would follow and eventually lead Jim to realize his This is the animal encyclopedia that you would love your child to have. It provides a list of jungle animals, complete with their pictures and short descriptions.

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An extremely scarce image. A fine impression with plate tone, printed on cream laid paper. Signed, dated and titled in pencil. Only proof of the second plate. Printed in sepia ink on cream laid paper. Signed, dated and annotated 'second state'. A rare, unique proof. A rich impression printed with plate tone on cream laid paper. A Woman of Scanno. Published by the Twenty One Gallery. A very rich impression printed on 'Charles I' laid paper. Fine Prints of the Year, A rich impression with plate tone printed on white wove paper. A cleanly-wiped impression printed on cream laid paper.

Signed, dated and numbered in pencil. Drawn on cream wove paper. Stanley Roy Badmin, A. Edition 45 published by the Twenty-One Gallery. Royal Society of Painter-Etchers and Engravers, Unobtrusive vertical fold, lower right. A rich impression printed on Basingwerk Parchment, on the full sheet with deckle edges.

Evening Light, near Sevenoaks, Kent. Edition 40, 35, published by the Twenty-One Gallery. Signed, titled and numbered in pencil. Published by the Twenty-One Gallery in An extremely rich impression with subtle tonal wiping, printed on cream wove paper. Edition 30, 29, published by the Twenty-One Gallery. A rich, tonal impression printed on cream laid paper. An extremely rich impression with subtle tonal wiping, printed on 'Basingwerk Parchment' cream wove paper.

Published by the Twenty-One Gallery. Royal Academy ofArts, Art Institute of Chicago, March - May, A rich, tonal impression printed on cream laid paper with full margins and deckle edges on two sides. Published by the Fine Art Society. Sorting Potatoes Potato Clamps. Trial proof, prior to the edition of 25 published by the Twenty-One Gallery. An extremely rich impression with subtle tonal wiping, printed on 'Lalanne' cream laidpaper.

Accompanied by the artist's name and address portion of the orginal mat mount. A rich impression with plate tone printed on cream wove paper, probably Basingwerk Parchment. Edition 50 for the Print Collector's Club. Printed on tan wove paper. Signed and titled in pencil. Printed on 'Van Gelder' laid paper. A rare touched proof with pencil in the sky. After Thomas Lawrence Paul's Church Yard, January 1, Printed on cream wove paper. Signed, dated and titled in the plate. Robert Anning Bell, R. Battledore Girls Playing Tennis.

Printed in sanguine ink on cream wove paper, as published in The Studio volume 10, , with their blindstamp. Signed and titled in the stone. Housed in a handsome gold leaf frame. A charming tennis image. Illustrations of The Book of Job , 7. Linnell printed a second edition of in A superb, richly-inked impression printed on the full sheet. Illustrations of The Book of Job , 9. From the edition of published by John Linnell, printed on laid India paper mounted on white wove paper after the previous editions totaling Signed and dated in the plate. The Wrath of Elihu: Illustrations of The Book of Job , Fine and Not-so-Fine Dining.

Printed on cream laid paper, on the full sheet with deckle edges. Signed and numbered in ink. A very fine impression on cream-colored 'Whatman' laid paper with full margins. A rich impression printed on cream-colored laid 'F. The Carousal A Carouse. A rich impression on cream-colored wove paper with full margins. This is an extremely scarce work. A very rich impression on cream-colored laid paper with full margins. Cider Drinkers 2nd Plate. A rich impression with drypoint burr printed on Hand [Made] laid paper.

Les Deux Petits Verres. This is a most charming study of a husband and his wife sitting in a cafe, about to imbibe. Edmund Blampied; Print Collector's Quarterly 13 A rich impression with drypoint burr, printed on cream laid paper on the full sheet with deckle edges. San Sebastian Lunch Hour. A rich impression with plate tone, printed on the full sheet of cream wove paper with deckle edges. Print Collector's Quarterly 13 Speech of the Evening. Print Collector's Quarterly 24 A rich impression with drypoint burr, printed on the full sheet of cream wove paper.

A rich impression, with drypoint burr, printed on the full sheet of laid paper. Mat line, well outside the image; otherwise excellent condition. A rich impression with drypoint burr printed on laid paper. Titled in pencil; signed and numbered in ink. Printed in cream laid paper with full margins. Allhusen, Print Collector's Quarterly 13 A rich impression with drypoint burr and plate tone, printed on cream laid paper with a partial hand and cross watermark.

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Printed on the full sheet of cream laid paper, with deckle edges on all sides. An extremely rich impression, wih burr. Housed in a black wood frame. A fine impression on pale cream-colored laid paper, printed on the full sheet with deckle edges. A rich impression on creamn wove paper. A fine impression on the full sheet of 'J Whatman' laid paper with full margins.

Printed with plate tone on cream wove paper. Appleby alternate version. A rich, well-inked impression with plate tone, printed on cream laid paper with a unicorn watermark. A rich impression with drypoint burr, printed on cream wove paper with full margins. Printed on cream wove paper with wide margins. An extremely rich impression printed on cream laid paper. Politics Tonnere de Brest.

Salaman, Modern Masters of Etching: This is one of Blampied's most famous images. Splashing Through the Surf. Printed on cream wove paper on the full sheet with deckle edges. A rich impression with burr and plate tone on 'Man ' 'England' laid paper.


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A rich impression with drypoint burr, printed on the full sheet of cream laid paper with wide margins. An excellent impression with burr, printed with plate tone on the full sheet of 'VGI' laid paper with deckle edges. A rich impression with drypoint burr, printed on cream laid paper, on the full sheet with deckle edges. A rare early etching. Printed with plate tone and drypoint burr, on the full sheet of cream laid paper. Driving Home in the Rain. Printed on Van Gelder Zonen cream laid paper. Slight mat burn; otherwise fine condition.

This rare print is considered to be Blampied's magnum opus. Fine Prints of the Year, ; Illustrated: A rich impression with drypoint burr, printed on 'DWD Strang' laid paper, on the full sheet with deckle edges. Fetching the Doctor In Haste for the Doctor Illustration used as a frontispiece for S. Burton, The Lorna Doone Trail. Print Collector's Quarterly 19 A rich, well-inked impression printed on cream wove paper. A rich impression with drypoint burr printed on cream laid paper with full margins. A rich impression printed on cream laid paper, on the full sheet with deckle edges.

Print Collector's Quarterly 13 page A rich impression with drypoint burr and plate tone, printed on simili-Japan laid paper. A rich impression with drypoint burr and plate tone, printed on the full sheet of cream wove paper with deckle edges. A rich impression with plate tone, printed on cream wove paper. Study for the drypoint of the same title, Appleby Signed Blampied lower left. Slight toning; otherwise fine condition. A rich impression with plate tone, printed on cream laid paper. Horses in a Meadow. Study for the etching "In a Meadow" first plate. Only 1 proof of the etching pulled.

Signed in pencil, lower center. A rich impression with plate tone, printed on '[What]man ' wove paper, on the full sheet with deckle edges. A Jersey Vraic Cart. Edition for the Print Club of Cleveland. Printed on the full sheet of J. Mat line; otherwise excellent condition. Printed with subtle plate tone on the full sheet of cream laid paper with deckle edges. Night Time in a Stable. A rich impression printed on cream wove paper with full margins. A rich impression with plate tone, printed on cream wove paper with full margins. A rich impression with tonal wiping and drypoint burr.

Proof B, apart from the edition A rich impression with tonal wiping and drypoint burr, printed on 'J Whatman' cream laid paper, on the full sheet with deckle edges. Signed and annotated 'B' in pencil. A rich impression with subtle tonal wiping and drypoint burr. Edmund Blampied; Print Collector's Quarterly 24 Printed on off-white wove paper. A rich impression with full margins. Returning to the Stable.

Road to the Farm. Full sheet with deckle edges. The chickens in the foreground are a charming touch. A rich impression with drypoint burr and carefully wiped plate tone, printed on 'FJ Head' paper, on the full sheet with deckle edges. A rich impression with drypoint burr and carefully wiped plate tone, printed on 'J Whatman' laid paper, on the full sheet with deckle edges. A large, extremely dramatic image. An extremely rich impression with drypoint burr printed on simili-Japan paper. Work in the Fields. Annotated 'HJB 18' in pencil, indicating a proof from the collection of the famous Blampied scholar and collector, Harold J.

Bailey, who wrote an article, 'Edmund Blampied: Artist and Philosopher' in the Print Collector's Quarterly 24 A rich impression with plate tone, printed on the full sheet of cream laid paper withy deckle edges. Edition size probably A fine impression on cream laid paper. Signed and numbered 24 in pencil.

Blampied underplays the drama of the wrecked boat by contrasting it with the carefree postures of the horses and the young man standing by them. A charming, scarce image. France and the East Camels at a Well. A rich impression with plate tone, printed on the full sheet of cream laid paper.

Printed with drypoint burr on cream wove paper with wide margins. A Street by Night. The Studio, , plate 7. A very rich impression on white wove paper with full margins. Under A Paris Bridge. Small professionally repaired paper loss from a hinge, in the upper right-hand corner; otherwise excellent condition. A glowing impression on tissue-thin paper. For large images, click on the titles in red; for small images, click on Bone.

America Liberty Statue New York. Conte crayon and watercolor.

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Signed and annotated 'Liberty Statue New York. Sketched from a Ferry Boat July Edition of 40 in this state total impressions in 19 states. Begun from nature on June 4, and finished in A rich, beautifully inked impression printed on the full sheet with deckle edges. Signed and annotated "XVII" in pencil. This is the most dramatic of Bone's New York etchings. The subject is an immense excavation for the foundation of a new building on Madison Avenue.

The Tuscania leaving New York. Printed on grey wove paper. July 23, ' in pencil. Britain Amey's Eating House, Winchester. One pinhole on the right-hand edge of the drawing, 3 inches from the top; otherwise fine condition. Fine Art Society, with their label, verso. Signed, dated and annotated 'Winchester', lower right. Edition 73 proofs in 15 states. A rich impression printed on Japanese paper. Happisburgh Haseboro' Church, Norfolk. A rich impression printed on simili-Japan paper with wide margins.

Unobtrusive printing fold in the image upper right. Anotated 'IV 28 proofs thus' and also initialed 'MB' in the upper right-hand corner indicating that this was the artist's own proof. Edition of 36 there were an additional 4 trial proofs. Printed on cream laid Japanese with full margins. The image was exhibited at the Society of Twelve in A rich, velvety impression printed with plate tone. Three proofs in this state; total edition 99 in 7 states. A rich impression printed on cream-colored wove paper. Titled and annotated by the artist 'I state 3 proofs thus' lower left. The image, which is reversed, actually depicts Gorleston Pier.

The drypoint is looking east and the river is to the north of the pier. Piccadilly Circus -- Edition of in this state. Furst, Original Engraving and Etching: A rich impression printed on the full sheet of simili-Japan paper. Edition 25 in this state total 38 plus 5 trial proofs. A rich impression with drypoint burr and plate tone printed on Japanese mulberry paper. Edition of proofs in 26 states. A rich impression with drypoint burr, printed on simili-Japan laid paper. Signed, lower right and annotated 'MB' with two circles, upper right, indicating a superior impression.

Evening, Port of Genoa. Edition of 45 in five states. An exceptionally rich impression with drypoint burr, printed on antique cream laid paper. A rare proof of the first state. Signed and annotated 'I' in pencil. Rainy Night in Rome. Edition 16 in this state total proofs in 10 states.

A rich impression with burr and tonal wiping. Printed on simili-Japan paper with wide margins. Signed, dated, and titled annotated '6th' in pencil; annotated 'M' and numbered '9' in pencil, verso. Edition in 10 states. Signed, dated, titled and annotated '8' on the front; annotated 'M' and numbered '96' in pencil, verso. The Trevi Fountain, Rome.

Dornel Cerro

One of thirty-four impressions in this state; total edition 87 proofs. Printed on the full sheet of simili-Japan paper with deckle edges. An extremely rich impression, with burr and plate tone. Annotated '19th' in pencil, lower left; signed in pencil. Edition plus 4 trial proofs. Print Collector's Quarterly 9 Printed on simili-Japan paper. Spain Dancing on the Apostle's Day, Santiago. Printed on the full sheet of white laid paper with deckle edges. Gertrude Bone, Days in Old Spain. Published in the portfolio, Two Drypoints by Muirhead Bone. Jubilee Year, Santiago de Compostela The other drypoint in the folder is, Dancing on the Apostle's Day, Santiago.

A Spanish Good Friday Ronda. Edition in 29 states. Six Centuries of Fine Prints. A rich impression with velvety drypoint burr. Printed on smooth simili-Japan paper with full margins. Signed in pencil by Bone. Printed on smooth simili-Japan paper on the full sheet with deckle edges. Annotated by Bone 'xxv' crossed out and replaced by 'xviii' in the lower left-hand margin, an 'A' in the upper left-hand margin and an 'x' in the lower right hand margin, indicating an excellent impression.

One of only 20 numbered impressions printed from the cancelled plate in School of Art '. Sweden Windy Night, Stockholm. Edition of 80 in this state total 93 in 10 states. A rich, atmospheric impression with tonal wiping printed on simili-Japon paper. Housed in a silver leaf frame: A rich impression printed on light tan laid paper. A rich impression printed on cream laid paper with full margins. The artist also made a color version of the image. Breaking Up of the 'Duncan'. Glue stains along the sheet edges, well outside the image.

A rich, tonal proof printed on white wove Japan paper. Watercolours The Archibald Russell. Pencil and watercolour on watercolour board. Signed and dated in ink, lower right; titled verso. Signed in pencil, lower right; titled in pencil, verso. Trial proof, apart from the edition of A beautifully wiped impression with plate tone, printed on laid paper with a Strasbourg lily watermark, on the full sheet with deckle edges. Signed in pencil and annotated 'trial' in ink.

The artist's trial proofs are extremely rare. Laver ; Hurst Exhibited at the Royal Academy in A rich impression printed on antique white laid paper from an old volume, with full margins. A rich impression with plate tone printed on antique 'GR' laid paper with a hunting horn countermark.

As published in J. One spot in the right-hand sheet; otherwise in excellent condition. A rich, tonal impression printed on 'Whatman Turkey Mill ' laid paper. Laver 49, Hurst A richimpression printed on antique laid ledger paper. Trial proof, apart from the edition of 75 An extremely rich impression printed cream wove paper. An exceptionally rare proof printed by the artist. Signed and annotated 'trial by self' in pencil. Printed on Strasbourg Lily watermarked laid paper. A rich impression printed on ' ' laid paper. Make Fast, plate 2. Trial proof 2, before the edition or Print Collector's Quarterly 25 Printed on ' Gen Dedijon extra ordi.

Signed and annotated 'A. It is extemely rare to find early Briscoe proofs. A dramatic impression with plate tone printed on cream laid paper. Mending the Trawl, plate 3. A rich impression with dramatic plate tone, printed on cream laid paper with a foolscap watermark. A dramatic impression with plate tone. Printed on fine laid paper, on the full sheet with deckle edges. On the Main Yard. On the Yard, plate 3. Laver , Hurst Signed and annotated 'trial' in pencil. An exceptional proof of the greatest rarity. Printed on antique laid paper with a fleur-de-lys watermark.

Trial proof, before the edition of Signed and annotated "Trial proof" in pencil. A very rich impression with plate tone, printed on pale cream-colored wove paper from an old journal. Printed on antique ceam-colored laid paper. Slight toning; printing fold in the upper right-hand corner; otherwise fine condition. A dramatic, carefully wiped impression. Trial proof vi, apart from the edition of Fingerprints in the margins; soiling in the margins and in the image; 2 printing folds. A very rich, atmospheric impression printed on Strasbourg lily LVG laid paper from an antique volume. Signed and annotated "trial VI" and "64B" in pencil.

The Shadow of the Mainsail. Edition for the Print Collector's Club. A rich, atmospherically wiped impression. A fine impression with plate tone, printed on cream laid paper on the full sheet with deckle edges. A fine impression with plate tone, printed on cream laid paper from an antique volume. Walking Up the Topsail. Signed and annotated "Trial by Carling" in pencil.

Solomon Van Abbé, A.R.E. 1883-1955.

Printed on laid paper from an antique volume. We're Bound for the Rio Grande. Trial proof 5, apart from the edition of A rich impression with tonal wiping. Printed on the full sheet of cream laid paper with deckle edges. Signed and annotated 'trial' and 'trial 5' in pencil. It is rare to find the first numbered impression of an edition. Gerald Leslie Brockhurst, R. A luminous, richly-inked impression on simili-japon paper. This is the artist's magnum opus. It was one of the most influential and familiar icons of erotica of the s. One of three proofs in this state, before the plate was reduced.

An extremely rich proof printed on cream wove paper, on the full sheet with deckle edges. Signed and annotated in pencil '6 th G. B 1 of 3 proofs thus. Print Collector's Quarterly 21 This is a striking portrait of Brockhurst's first wife. Arich proof printed with plate tone on on cream laid paper with full margins. Printed on cream laid paper, with full margins. Signed, titled and annotated in pencil by the artist, '1st state G. Anais was the artist's first wife.

Total edition of The woman portrayed was the mother of the two children in The West of Ireland Fletcher Print Collector's Quarterly 11 A rich impression printed on cream laid paper with wide margins. Paul Mellon; Mary Mellon. A fine impression printed on cream countermarked laid paper.

Signed and annotated 'artist's proof' in pencil. Exhibited at the RE, , no. Brockhurst; Calloway, English Prints for the Collector, p. A rich impression printed on 'J Whatman' laid paper. Signed and annotated '5th state GLB 4 proofs thus' in pencil. A very rich impression printed on off-white wove paper. Edition 76 total 81 impressions. A dramatic impression with subtle plate tone, printed on cream wove paper with full margins.

A rich impression with plate tone printed on cream wove paper with wide margins. Etched from a drawing now in the British Museum. An impression was exhibited at the RE, A rich impression printed on cream wove paper, on the full sheet with deckle edges. Early proof before the published state, before the plate was reduced, with the signature in reverse, upper right, before the signature and date were added in the lower left. An extremely rich proof printed on cream 'J. Brockhurst, Print Collector's Quarterly 21 Signed in pencil and annotated "1st state G.

Dorette Kathleen Nancy Woodward.

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Trial prrof 4, prior to the published edition of proofs in all. Printed on cream-colored simili-japon paper with full margins.. Signed and annotated '4 th state G. Only 2 impressions in this state total 92 impressions.

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Signed and annotated '6th state G. A very rich impression with subtle plate tone, printed on antique cream laid paper with full margins. Edition in this state total impressions. A fine impression printed on cream wove paper. One of only 4 proofs in this state total impressions. An extremely rare proof, before the reduction of the plate. Printed on 'Van Gelder Zonen" laid paper. Signed and annotated '2nd state G. Edition 76 total 79 impressions. Exhibited at the R. A fine proof printed on the full sheet of cream wove paper with deckle edges.

A dramatic tonal study. A fine impression printed on cream Van Gelder Zonen laid paper. Signed and inscribed '2nd state G. Edition 55 in this state total 58 proofs. A richly-inked impression printed on cream wove paper with deckle edges irregular left-hand margin. A scarce early etching by the artist. Signed and annotated "6th state G. Brockhurst; Print Collector's Quarterly 21 Printed on cream-colored laid paper with full margins. A glowing impression of this rare state. Edition size not stated. Una The Young Creole. Edition of 3 in this state total impressions. A very rich impression printed on cream wove paper.

Signed and inscribed '4th state G. Edition of in this state total impressions. Signed and inscribed 'Artist's Proof' in pencil. A fine impression on cream wove paper. Wiggin Jessie Duncan Hayden. Jessie Duncan Hayden married Albert Wiggin in ; they had two daughters. Wishing to study sculpture, she rented a studio in MacDougal Alley behind the Whitney Museum and began to study under Victor Salvatore. A rich proof printed with plate tone on on cream wove paper with full margins. The Studio, , plate 9; Print Collector's Quarterly 22 A rich impression with plate tone printed on the full sheet of cream wove paper.

Printed on countermarked 'hand made' wove paper on the full sheet with deckle edges. A fine impression of this very rare lithograph. Edition 55 68 total proofs. A very rich impression. Henry Bell was associated with Lloyds Bank. Fabian The Ideal Head. A rich impression printed on fine cream laid paper with wide margins. Scattered foxing around the sheet edges, well away from the image; otherwise excellent condition.

Signed and and anotated '2nd state G. Trial proof, apart from the edition of total impressions. A rich impression, printed on cream laid paper. Signed and annotated "Trial" and "to light" by the artist in pencil. The model for this portrait was the wood engraver, Marquett, whose portrait Brockhurst had etched in Fletcher A beautiful, rich impression with plate tone, printed on 'J. Whatman' laid paper on the full sheet with deckle edges.

The model for this portrait was the wood engraver,Marquett, whose portrait Brockhurst had etched in Fletcher An exceptionally rich impression with printed on cream wove paper. Housed in a gold leaf frame. Ink drawing on wove paper. A fine impression with subtle coloring. Tape hinge along the top margin; drying tack holes in the side margins, remnants of glue in the four corners, all minor and not affecting the image..

Signed and inscribed 'Inv, del. William Walter Burgess, R. Bits of Old Chelsea, a collection of forty-one etchings printed for the artist by Frederick Goulding and published in in an edition of A rich impression printed in black ink on Japanese vellum. Monogrammed with his 'sun symbol' in the plate; signed in pencil.

Printed with plate tone on Japanese vellum. Monogrammed with his 'sun' symbol in the plate; signed in pencil. Sir David Young Cameron, R. A fine impression with drypoint burr, printed on cream wove paper. Glasgow -- on the Clyde at Symington. A rich impression printed on white laid paper from an old volume. Goulding was the master printer in the UK. At the time, his signature was often valued more than the artist's signature. Watercolor, pencil and conte crayon on paper. Duke,purchased at Sotheby's, London ' Mat line; otherwise good condition.

Signed and titled in pencil, lower right. Society of Twelve, , No. Salamana, Modern Masters of Etching. Printed on Japanese mulberry paper with small margins with carefully-wiped plate tone and drypoint burr. A superb impression of this extremely rare state. Printed on cream laid paper, trimmed to the plate on three sides. A fine impression of this extremely rare early image. Edition of 35 sets, with a few individual proofs apart from the set.

Hind, The Etchings of D. An aquamanile is a water vessel. This image is modeled after a fourteenth-century brass said to come from Hereford Cathedral. The Five Sisters, York Minster. A very rich impression printed on fine Japanese mulberry paper. A rich, glowing impression with drypoint burr and plate tone.

This is Cameron's most famous architectural etching. Rinder writes, ", p. Salaman, Modern Masters of Etching. Printed with plate tone on off-white laid paper. St, George's, Hanover Square. The Netherlands Souvenir d'Amsterdam. A rich, tonal impression with atmospheric plate tone, printed on Japanese mulberry paper. The Studio Volume 44 A rich, glowing impression with burr, printed on Japanese mulberry paper on the full sheet with deckle edges.

A rich, glowing impression with burr, printed on Japanese mulberry paper. Printed on the full sheet with deckle edges. France The Chimera of Amiens. Cameron; Hind, The Etchings of D. Cameron; Calloway, English Prints for the Collector, p. Italy The Doge's Palace. No published edition -- extremely scarce. A rich impression with burr and plate tone, printed on fine laid paper. North Italian Set, A rich impression with burr and plate tone, printed on off-white laid paper. The East The Turkish Fort. The fort is on the Mokaltam Hills, near Cairo. Click on the title for an image.

Lithograph by after a drawing by Cattermole. Lithographed by Day and Son. There were several printings. This is probably from the first edition, volume 1. Printed on heavy off-white wove paper. Signed in pencil by Cattermole. Sir George Clausen, R. Lifting an Inner Tube. Britain's Efforts and Ideals. A fine impression printed on off-white wove paper. Mezzotint by David Lucas - after John Constable. Originally Published July 1. A rich impression printed on sturdy wove paper with full margins, mounted on archival paper. A few unobtrusive scrapes and folds, one horizontally across the center of the image, and a faint waterstain in the top right-hand image and margin.

Housed in a 35 x 25 inch archival double mat. Mezzotint by David Lucas , as directed by John Constable. Reworked and republished final state.