The Strangeness of Columbine: An Interpretation

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  4. Strangeness of Columbine!

In particular, The strangeness of Columbine explores a dimension of the event that has been neglected by both journalists and authors: The exploration of Columbine's strangeness in terms of place also includes, as integral to its method, both a selection of the author's photographs of related sites in Jefferson County, Colorado, and reference to works by several earlier authors. Three of these figure prominently enough to justify a chapter heading, one for each of the e-book's three parts: The point of these comparisons is to recognize, in the context of a record that includes the writings of Eric Harris, Dylan Klebold, and Rachel Scott, as well as the suicide and attempted suicide of two young Australian women on November 15, near Columbine High School, what appear to be gateways into patterns worth considering.

Among these gateways is a time tunnel, opened initially via Ludlow's meticulous description of a visit to the future area of Columbine on June 10, , into an earlier vortex of Colorado history, that culminated most indelibly on November 29, in the Sand Creek Massacre. Documentation of the lead-up to and aftermath of this massacre, as well as of the massacre itself, suggests a manifold texture of similarity and reversal between it and Columbine, as two events of utmost violence and brutality whose vortices developed over time in the same region; whose culminating horror was peculiarly theatrical; and whose repercussions were profound.

The terms of this comparison point to a number of things: The strangeness of Columbine's three parts, that would each be just over pages long were this a paginated book, are: Part One, in eight chapters: Part Two, in six chapters: Part Three, in seven chapters: Haunted Graveyards of the Ozarks.

November – Page 17 – The Everlasting Contrast

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    In particular, The strangeness of Columbine explores a dimension of the event that has been neglected by both journalists and authors: The point of these comparisons is to recognize, in the context of a record that includes the writings of Eric Harris, Dylan Klebold, and Rachel Scott, as well as the suicide and attempted suicide of two young Australian women on November 15, near Columbine High School, what appear to be gateways into patterns worth considering.

    Documentation of the lead-up to and aftermath of this massacre, as well as of the massacre itself, suggests a manifold texture of similarity and reversal between it and Columbine, as two events of utmost violence and brutality whose vortices developed over time in the same region; whose culminating horror was peculiarly theatrical; and whose repercussions were profound.

    The terms of this comparison point to a number of things: Part One, in eight chapters: