Lucas Cranach the Elder: Art and Devotion of the German Reformation
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Mehr als one hundred fifty Abbildungen. The antithetical construction of The Dying Man prescribes one course of action over another, both of which are anathema to Lutheran doctrine. The Dying Man presents a choice to the viewer between one course of action and another; Law and Gospel more fundamentally reconfigures the very relationship between human action and salvation.
This is the best thing. Though law alone will never make salvation possible, it remains indispensable as it enables the believer to recognize sin, the impossibility of achieving salvation by good works, and the necessity of grace for true salvation. Cornell University Press, , — Lucas Cranach the Elder was born in Kronach in the year of He started learning the ways of art early on in life through his father who was also a painter.
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In his early years of painting, he was already starting to paint things for the catholic church. When he grew older, he married. He had a family and lived in Wittenberg during the years of the Reformation along with Martin Luther. He was close friends with Luther, which made their work even easier.
Catalog Record: Lucas Cranach the Elder : art and devotion of | Hathi Trust Digital Library
To this day, this in particular portrait is one of the most famous images of Martin Luther. Their worked flourished along with their reputations. Because of this, Lucas Cranach made several paintings and wood etchings explaining this. Cranach was someone to respect and someone most people had heard of during his time. His work was something of elegance, and it told a story. When Cranach the elder passed away in , his son, Lucas Cranach the Younger , and others took up his work and his name to keep the stories and impact intact.
Even then, he had a reputation of painting with elegance and understanding.
The Artist and the Theologian: The Friendship Between Lucas Cranach and Martin Luther
Because of this, in the middle of his career and life time, he painted several panels in the Wittenberg church. While he was in Wittenberg, Luther was as well. No one is quite sure when Luther and Cranach became friends, but together, they brought the Reformation to life with illustration and words. This one piece was made to explain the Protestant faith. He, however, did even more works for the Reformation and for Luther himself.
Description This book presents Cranach's Reformation painting to a broader audience and explains the pictorial strategies Cranach devised to clarify and interpret Lutheran thought. For specialists in Reformation history, this study offers an interpretation of Cranach's art as an agent of religious change. For historians and students of Renaissance art, this study explores the defining work of a major sixteenth-century artist.
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